Archive Listing June 5, 2009 - May 29, 2009
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I
normally use Rachel Lucas's site
to cheer myself up when I'm having a bad day. She seems immune from
most of the downers that afflict us ordinary folks, and she makes it
possible to believe that a defiant quip really does suffice to banish
the blues. So imagine my surprise upon discovering that she had made
herself a target
for abuse in a moment of personal vulnerability, when she was
soliciting good wishes for an ailing loved one. (I know that a lot of
you will immediately go to her site to tender best wishes for her
boyfriend's father, so there's no need to suggest it....) But what
really knocked me for a loop was the news that the abuse was coming
from atheists. Because she
quoted, in the course of discussing the medical crisis, the old
chestnut that "there are no atheists in foxholes."
Never mind the fact that Rachel is herself an atheist, or at least an
agnostic, despite her fascinating response to the Pieta. Who would have
suspected that the "foxhole hypothesis" could have inspired such fury
and irrational hostility?
Isn't the whole point of being an atheist to be free of imprisonment by
mere myths and fairy tales? To move through life unaffected by the
emotional maelstroms that so complicate life for believers in various
spiritual orthodoxies? I mean, shouldn't the prospect of the death of
someone's loved one inspire only sympathy, the pure condolence of those
who know that life ends when the last breath leaves the exhausted body?
But no. Atheism has apparently become its own religion. Atheist
websites are irate. Atheists who have been in foxholes -- or claim to
have been -- found it necessary to register their outrage about her
cavalier generalization, as if she had thought it up herself. This is a
sacrilege that cannot be brooked. And when Rachel, in her natural
wisdom, deleted such comments, she exacerbated their ire. Now she's
become a symbol of the bigoted anti-atheist, which singles her out for
even more abuse.
I don't know whether to describe the Articles of (non)Faith of the
Atheist Church or to mock them in simpler terms. Well, that's
not true. I do know. Atheists need to be mocked from here to the next
blue moon. It hardly matters whether their Pope wears a mitre or a
baseball cap, and whether their Sunday services involve masturbation or
mirrors. It's their belief system which is nonsensical and eminently
worthy of ridicule.
The agnostic is worthy of respect. He doesn't claim to know. He just doesn't believe that
there's any story of divinity that accords with the facts. The atheist,
on the other hand, is a narcissistic popinjay. He stands at the end
point of a creation no one can claim to understand fully, and he
declares that there is no higher intelligence than his own in the
fabric of a universe many hundreds of trillions of times larger than
himself. But he knows there
is no meaning in any of it. What an ass.
Show me a true atheist and I'll show you an idiot, a poseur, a vain
seeker of attention. Which is why I really wasn't surprised that
Rachel's offhand comment provoked an assault. What's important about
being an atheist in not the attainment of an enlightened objective
philosophy free of the savage prejudices associated with organized
religion. It's about being recognized as a superior intellect.
Imagine being disappointed and humiliated by the post-death discovery
of an afterlife. That would have to be the biggest "Oh shit" moment
anyone could conceive of. It would instantaneously reduce your
surviving soul to the size of a peanut.
Unless that's the size it was already.
P.S. Uh,
the Cheetos? Well, I -- unlike all of you, I'm sure -- have these
streaks I get on. A couple months ago, it was Cheetos. Right now, it
seems to be Rachel's website. But don't worry that there's anything
sinister about it. I'm easily old enough to be her father. I think
that's part of the fascination. If my
daughter were just a bit older and had a blog, I think it would be a
lot like Rachel's. Fun, smarter than it looks on first blush, and
charming. So if there are any atheists out there who want to give
her a hard time, come here instead. I'll give you all you can handle.
(Before you join battle, you might want to take a look at this.)
UPDATE.
Rachel has this to say: "So. In all seriousness, it’s been an
interesting discussion and more than a little illuminating. Nicki
and Instapunk
have joined in, and the angry atheists are already on Nicki’s site,
comparing me to a racist for using the foxhole quote." Same old, same
old. C'mon. COME ON. But they don't. Atheists and lefties are cowards
to the core. The last thing they'll ever do is enter the InstaPunk
brush-chipper, where our comment policy is never to kill the comment,
only the commenter.
Atheists! Come! Fight! We can't wait
to kill you.
Yeah, I know. You're just a bunch of fucking retards. I'Il let Rachel
know. And her friend Nicki.
. I'm going to suggest a different kind of chronology by which we
can understand the times we live in. It's one that should make more
sense to young people than to traditionally educated historians. It
also monkeys with the concept of distinct generations, which has been
overused by those who presume to interpret cultural and societal trends
for us. Baby Boomers know, for example, that their break with their
parents was much more extreme than the rifts they've experienced
between themselves and their own kids. When we speak of the Victorian
Age, we are talking about a 60-year period, from 1840 to 1900, three full generations unified by a
more or less common set of values and customs. That age might have been
followed by what is now known as the Edwardian era, a slightly more
relaxed and rococo phase of imperial Brit decadence -- except for the
violently traumatic intervention of World War I, which reset the clock.
That's why the next milestone is the Jazz Age, whose official start
date is the publication of Fitzgerald's This Side of Paradise, the first
work of real literature which documented the power of music and social
rebellion to drive a sea change in cultural mores. Note that it's
common to represent this phenomenon in technological terms -- as the
ascendancy of popular music made possible by the emerging availability
of records, radio broadcasts, and moving pictures. But this is the
story
as it is rendered by secularists. One can as easily make the case that
it was jazz music which fueled the rapid advance of technologies
capable of disseminating it to a generation starved for an avalanche of
change. Because jazz was a revolt against formality, family tradition,
and programmatic lives. It represented a reassertion of
individual choice and spontaneous creativity at a time when
traditional obligations had resulted in the worst carnage ever
recorded in human history. Monarchies, aristocracies, elite credentials
of family and class, immersion in the beliefs of the past were all
suspect. The Jazz Age, for example, was the real beginning of the civil
rights movement in America, as privileged white people discovered that
wholly uneducated (in their terms) black people were capable of
generating a brand new fom of music that was as intellectual as it was
passionate.
The Jazz Age lasted for 40-plus years. All the way though the Great
Depression, World War II, and the burst of prosperity in America that
led to the election and presidency of John F. Kennedy. Long before the
Rosa Parks moment and the first marches in the south, jazz music was a
driving force of integration. It had served as an elemental diversion
from the privations of the Great Depression, the insouciant soundtrack
of the Second World War, the effervescent accompaniment of fifties
confidence, and the clarion affirmation of all things American in the
early sixties. It accorded entirely with who we were -- individual,
adaptive, indefatigable, and in tune with the deep rhythms of personal
freedom and expression. It was also -- in its respect for the
individual voice of a saxophone, trumpet, xylophone, drum set, or human
being (Sinatra, Nat Cole) -- a paradoxical demonstration of the
American melting pot: individual spirits of widely divergent
backgrounds could somehow bridge all the differences between origins,
traditions, and times to produce a kickass togetherness of product.
The Jazz Age died with JFK and Vietnam. It had already accomplished a
miracle -- delaying the nihilism implicit in the total savagery of
World War I for 40 years. But it had subsisted on a false belief, that
there was some kind of intellectualized theory of art that could
legitimize the cost of so much human failure. Jazz had been a new
incarnation of faith, a faith in the rhythms of life and the
productivity of pushing essentially intellectually ideas of variation
and expression into a creative realm that would offer a new kind of
salvation for people who had grown weary of fairy tales.
If you're starting to get the idea that black people have been a kind
of emotional barometer of the health of our culture, you are
correct. The Victorian Age represented the compleat amputation of
emotion from intellect. The Jazz Age was the first attempt to bridge
the rift. It failed finally in the crashing careers of Coltrane, Davis,
and Byrd. The Rock and Roll Age was a high stakes gamble to substitute
emotion for intellect. Emotion and
carnal instincts.
The Rock and Roll Age lasted from the mid-sixties to a few years ago.
It provided the soundtrack to assassinations, the doomed war in
Vietnam, and most of the lifetimes of the most spoiled, self-absorbed
generation in several hundred years of history, the Baby Boom
generation. But the Rock and Roll Age was even more flawed in its bases
than the Jazz Age. Its prime assertion was that we were not questing
intellectual creatures, but animals. Universal peace and contentment
were to be had if we could at last recognize that our natures were
governed by the need for sex, endorphins, and an absence of rules.
Both jazz and rock and roll arose from the same sources. Jazz was an
intellectual thrust, very close to Bach and Mozart in its aspiration to
make of music a sound-based expression of the universe. The music of
the spheres, if you will. Rock and roll was the opposite. It was the
music of the evolutionary biologists. We are animals. We can't help
what we do. We feel, we lust, we seek sensation, and we're not at all
concerned with the meaning of a Miles Davis solo or a Nietzchean rant.
And, sure, there are still jazz musicians. And rock bands. But their
age has passed. Now we have returned, in the manner of threes, to a new
version of the Victorian Age. Now we have given up real hope for a
breakthrough and have decided to believe again in Old Testament sin. We
have decided to believe that we must be manacled in laws, and
repressions, and denials of our humanity that are more consistent with
Yahweh's judgments on us than Christ's exhortations to freedom. After
all, Christ was the ultimate rebel. He dared to suggest that we could
live with only two commandments because we all have a spark of the
divine in our makeup. But if there is no divine, then we are deserving
of annihilation.
When you meet the true-blue Green, the worshipper of Gaia, the ones who
want to punish mankind for environmental sins and so push him back to
the fantasy harmony with nature they see in Native Americans who died
at 28 from scurvy and hunger, you are seeing the price of disbelief in
a higher power. You are seeing the final impact of the Law of Threes.
It takes three times three generations of human beings to feel the full
impact of a mistake. Three Ages.
It's all rather predictable, isn't it? But the question you have to ask
yourselves is this: if science has liberated us from the need to
believe in judgment, condemnation, doom, and hell, why are we so
anxious as a secular people to embrace the concept that an
insignificant by-product of random evolution should somehow subscribe
to a death wish that values a few thousand tigers or polar bears over
the species that produced the Sistine Chapel, the pyramids, and the
works of Shakespeare, Newton, Einstein, and Jesus Christ?
Three Ages. Are you prepared for the next one? Now for my final idea of
Ages. They also come in threes. Here are two YouTube videos, both
focused on the subject of "The Trial." The first is based on a book
written in 1925, about five years after the beginning of the Jazz Age.
It's actually a pattern. We put ourselves on trial again a few years
into the
Rock
and
Roll Age. (It takes longer when you're not thinking.)
But the idea of coming up short against a brick wall is the same. The
first inquiry is a philosophical and theological drama. The second is a
lugubrious exercise in self pity about the human plight of being
sexual, psychological, emotional, powerless, and animal.
Next comes the reversion to paganism inside a veneer of science AND
superstition. Try this unofficial poll. How many believers in Global
Warming and Saving the Planet from Mankind would deny that this little
display of pop culture was a significant breakthrough in human
understanding?
Uh, yeah, stupid. But ask them. How many doubt that Obama is the
"dawning of the Age of Aquarius"? Perhaps that's why their children and
grandchildren are intent on sending us headlong back into the era of hippies
and Weathermen.
The old'uns may think they're turning the clock back. But that's not
how it works. The New Age will be the precursor to a wholly different
age, in which the need to believe in a higher power will manifest
itself in slaveries unthought of during the twentieth century. That's
how strong the need to believe in a higher power is. Even if it's one
invented out of whole cloth by objective science.
That's why Nietzche was smarter than the Nazis and all who sought to
belittle him after the fact. He knew what people would do. That's why
he collapsed in a heap at the abuse of a horse. Long ago.
The green folk are pretty sure by now that Nietztche was a
fascist. They can't possibly imagine that they were his worst nightmare,
brilliantly and presciently conceived as the end of all things human.
And Dostoevsky
before him knew exactly what would happen when the "smart people" took
control of the rest of us.
"Joined whom, what clever people?" cried Alyosha, completely carried away. "They have no such great cleverness and no mysteries and secrets.... Perhaps nothing but Atheism, that's all their secret. Your Inquisitor does not believe in God, that's his secret!"
"What if it is so! At last you have guessed it. It's perfectly true, it's true that that's the whole secret, but isn't that suffering, at least for a man like that, who has wasted his whole life in the desert and yet could not shake off his incurable love of humanity? In his old age he reached the clear conviction that nothing but the advice of the great dread spirit could build up any tolerable sort of life for the feeble, unruly, 'incomplete, empirical creatures created in jest.' And so, convinced of this, he sees that he must follow the counsel of the wise spirit, the dread spirit of death and destruction, and therefore accept lying and deception, and lead men consciously to death and destruction, and yet deceive them all the way so that they may not notice where they are being led, that the poor blind creatures may at least on the way think themselves happy.
So what's the next age? Victorian without the prosperity or the belief
in progress. Politically correct, totalitarian, suicidal, and filled
with the spiritual anguish of those who must have a God but can't
believe. Luddite with a desire to punish and reduce. There can be no
more youthful rebellion. Rap is the last pyrotechnic explosion of that,
as outrageous as it will be short-lived. What's left is collectivist,
Stalinist chorales celebrating the life of Earth purchased by the death
of Man.
You're gonna love it.